Photo by In front of the brick wall at the Beijing brickyard - wooden tables and chairs and a bouquet of sunflowers.

In front of the brick wall at the Beijing brickyard - wooden tables and chairs and a bouquet of sunflowers.

Using a centered composition, the white Maneki-neko (lucky cat) statue is placed in the center of the frame, highlighting the stark contrast between its white body and the red heart. The photographer uses a straight-on angle to ensure a clear view of the statue's front. The framing includes surrounding tree branches, green grass, and tall buildings in the distance, adding depth to the environment. Travel Tip: Free admission.

Beijing Kiln - White Maneki Neko Sculpture

Use a flat shooting angle and center composition, placing the red welcome sign in the center of the frame, ensuring the text is clear and complete. The composition should include the brick kiln chimney in the background, the arched building on the left, and the high-rise buildings in the distance to showcase the environmental characteristics.

Brick Kiln - Entrance Welcome Sign and Building Entrance

The photographer uses an upward shooting angle, with the main subject, the red brick wall, centered in the frame. Historical photos and text are symmetrically arranged on either side, highlighting the historical feel of the wall. The composition showcases the curved structure of the wall and the lighting effects at the top. The shooting range includes the full view of the red brick wall, historical photos, text, and the bar stools at the bottom, with the stools in the foreground adding depth to the scene. A wide-angle lens is used to fully capture the details of the wall and the sense of space. Shooting Time: It is recommended to visit between 16:00 and 18:00 in the afternoon when the sunlight斜斜地 (slants) through the semi-circular door, creating beautiful lighting effects.

Inside the brick kiln - historical photo bar counter with red brick walls.

1. The photographer positioned themselves at a slight angle in front of the model, using an upward shooting angle, which creates an effect of the model extending upwards in the frame. The rule of thirds is applied, with the red brick wall occupying most of the background and the model placed slightly to the right and lower in the frame. A wide-angle lens is used to enhance the sense of extension in the lines of the red brick wall, adding more tension to the image. 2. ① It is recommended to drive there, as parking is available along the roadside; ② It's a lesser-known spot, so there aren't many people. The environment is great and perfect for taking photos.

Inside the Brick Kiln - Red Brick Wall

The model is seated inside an arched wall, with the photographer standing opposite, 2 meters away, using a 50mm lens for a close-up shot. The model is sitting on red bricks, one hand supporting her chin, the other gently touching the baby, with her head tilted slightly upwards towards the photographer. The model sits facing the photographer, both hands resting on the red bricks on either side, her head tilted with a smile, looking towards the photographer.

Inside the brick kiln - Front view of round red bricks

The model leans against the wall, the photographer stands facing the model, 2 meters apart, with a 50mm focal length, trying to capture as much of the building as possible. The model stands next to the coded wall, leaning against it, with one leg crossed over the other and arms crossed in front of the chest, tilting the head to look at the photographer. Alternatively, the model can stand naturally facing the photographer, one hand covering the mouth and the other hand waving backward, looking up at the sky.

In the brick kiln - the wall of brick ciphers

The model stands in front of the sign, the photographer stands facing the model at a distance of 2 meters, using a 50mm lens to capture the full sign. The model stands to the side of the sign, one hand raised to support the sign, the other hand holding a coffee, smiling and looking at the photographer. The model stands facing the photographer, arms crossed in front of the chest, head tilted, smiling at the photographer.

Inside the brick kiln - at the red car logo.

The model stands next to the cat’s right front paw, and the photographer is positioned about 2-3 meters in front of the cat, shooting at eye level to ensure a distortion-free and complete frame. Use a central composition technique, placing both the cat and the model in the center of the frame. A 50mm lens is recommended to capture the full background and maintain the correct subject proportions. Posing Suggestions: 1. The model stands in front of the doll, one hand raised above the head, the other hand holding a bag in front, legs relaxed, and tilting the head to look at the photographer. 2. The model stands sideways, one foot lifted forward, hands positioned one in front and one behind, turning the head to look at the photographer. 3. The model raises her hand slightly, mimicking an interaction with the cat’s paw, enhancing the fun and connection in the frame.

Inside the brick kiln - under the giant colorful cat sculpture.

The model stands in front of the stairs, and the photographer is positioned 3 meters in front of the model, using the center composition technique for the shot. Shooting equipment: Fuji XT30II + 18-55mm lens. Admission: Free and no reservation required.

In front of the circular staircase in the hall of the brick kiln.