Photo by The Forbidden City - photographing the large trees, buildings, and rooftops.

The Forbidden City - photographing the large trees, buildings, and rooftops.

Photo by The Forbidden City - Close-up of the Black Stone Sheep Sculpture

The Forbidden City - Close-up of the Black Stone Sheep Sculpture

Photo by The Forbidden City - Take a photo with wooden chairs and gold-roofed, green-columned architecture.

The Forbidden City - Take a photo with wooden chairs and gold-roofed, green-columned architecture.

Photo by The Forbidden City - Taking a Picture with the Imperial Palace

The Forbidden City - Taking a Picture with the Imperial Palace

The photographer uses a level shot angle, where the main subject on the right is balanced with the stone wall and green trees on the left. The model stands sideways, leaning against the stone railing, with her left hand resting on the railing and her right hand gently lifted near her neckline, creating a natural and classical pose. The composition includes the stone wall below, the green trees above, and the railing in the foreground, adding depth to the scene.

The Forbidden City - Take a photo with the stone walls and green trees.

Photo by The Forbidden City - Taking a photo on a bench with Chinese architecture and trees in the background.

The Forbidden City - Taking a photo on a bench with Chinese architecture and trees in the background.

Photo by The Forbidden City - Roof Ridge Beasts and Eaves on the Architectural Structures

The Forbidden City - Roof Ridge Beasts and Eaves on the Architectural Structures

Photo by The Forbidden City - Take a photo with the red walls and black brick buildings.

The Forbidden City - Take a photo with the red walls and black brick buildings.

Photo by The Forbidden City - Take a photo with the railings and murals.

The Forbidden City - Take a photo with the railings and murals.

Using a frame-within-a-frame composition, with a carved door frame as the foreground, to highlight the interior study scene. The photographer shoots from a level angle, directly centered on the door frame. The framing includes the foreground carvings, the "Siku Study" plaque above, and the background bookshelves, blue-and-white porcelain vases, and tables and chairs, enhancing the sense of depth. It is recommended to use a wide-angle lens to capture the full scene.

Beijing's Forbidden City - Carved Plaque Bookshelf, Porcelain Vases, and Tables and Chairs