Photo by Olympic Center – “little lotus” stadium

Olympic Center – “little lotus” stadium

Frame the subject and sky with an arched structure, with metal lines on both sides extending towards the center to form leading lines. The model is positioned slightly below the center of the frame, looking up with a side profile and arms hanging naturally as a silhouette. The composition includes the complete arch lines, the figure, and the sky at the top, enhancing the sense of spatial depth and the beauty of the lines. Travel Tips: Open from 9:00 to 21:00.

Olympic Aquatics – selfie with skylit roof

The photographer manipulates the drone to take an aerial shot from a high vantage point to showcase the full view of the city's architecture. In terms of composition, place a large building with a unique shape at the bottom left of the frame, with surrounding high-rise buildings orderly distributed along the horizontal and vertical directions, creating a contrast and echo, showcasing the layout and spatial sense of the city's architecture. By using a wide-angle lens, more cityscape is captured, presenting architectural details, roads, and greenery, ensuring a broad field of vision and rich layers in the image. Travel tips: It is recommended to shoot a few minutes to tens of minutes before sunrise and after sunset.

Olympic Center – aerial full-view

Photography Tips: The model stands sideways, holding a bag in hand. Photography Tips: The composition can utilize the round Ultraman installation as the background, allowing the model and Ultraman to "look at each other," or change the angle to highlight the color of the installation, making the picture more dynamic and interesting.

Longfor Binjiang – Ultraman fight backdrop

The model stands outside the guardrail close to the exhibition hall, and the photographer shoots from 1 meter away using a 50mm lens. It is recommended to bring a flash to provide additional lighting for the subject.

Longfor Binjiang – bat sign

Photography Tips: Position yourself in front of the graffiti wall, with the photographer shooting at eye level to leverage the artistic feel of the wall and create a trendy atmosphere; in areas where the person interacts with the graffiti, use the graffiti as a backdrop, maintaining a distance of 1-2 meters between the photographer and the model to naturally blend the person with the artistic graffiti, and the lighting should be even to better highlight the youthful and fashionable vibe. Posing Ideas: Hands on hips: Stand with feet apart, back straight, and display a confident and playful demeanor. Gently playing with hair: Stand sideways, with one hand naturally playing with the hair, exuding a gentle and spirited charm. Slightly bent leg: Shift your body weight to one side, with one leg slightly bent, to create a relaxed atmosphere.

Longfor Binjiang – portrait graffiti wall

Pose Guidance: The model should stand naturally with one hand supporting her head. Photography Tips: The composition can be arranged with the model positioned between Ultraman and the monster, or capture the dynamic moments of her "interacting" with the monster. This will make the image more vibrant and highlight the fun aspect of the scene.

Longfor Binjiang – outdoor Ultraman model

The photographer stands to the left rear of the model, who is standing in the aisle scattering maple leaves. The camera is positioned low, slightly upward, capturing the full body shot through the hole.

Longfor Binjiang – red portal

The model is positioned close to the exhibit, as if standing at the feet of a giant, and the photographer shoots the model from a distance of 1m using a 50mm lens. It is recommended to bring a flash to provide additional lighting for the subject.

Longfor Binjiang – giant statue

The photographer stands to the left front of the model, who is seated on a bench under a yellow-leaf tree, positioned high, with a slight downward gaze, capturing the full body shot.

Longfor Hangzhou Binjiang Paradise Walk – Yellow-Leaf Tree & Park Bench