The model approaches the exhibit, and the photographer stands 1 meter away from the model, capturing the shot with a 50mm lens. A flash can be used to provide additional lighting on the subject.

Longfor Binjiang – giant repeat

Photography Tips: Stand in front of the gear wall: Use the giant gears and metal mesh as a strong background. Dress the subject in academic style clothing. The photographer should shoot at eye level to create a strong contrast between the soft and hard, highlighting the sweet and cool contrast. Lean against the mesh: Gently lean on the metal mesh, using the gear contour as a foreground frame. The photographer should shoot slightly from the side, including some details of the gears, and the harder the light, the more industrial the texture appears. Full body frame: With the complete gear wall as the background, the photographer should step back half a step to fully integrate the person with the hard-core device, highlighting the conflict aesthetics of the scene. Photography Poses: Stand in front of the wall: Pull up double ponytails with both hands, slightly tilt the head, and the sweet and cool girly feeling is full; Lean on the grid: Cross arms over the chest, look directly at the camera, and the cool aura is fully open; Squat in the corner: Hold the edge of the gear with one hand, lean the body slightly forward, and make a "V" gesture with the other hand, which is both playful and casual.

Longfor Binjiang – industrial backdrop wall

The model sits on a red bench, looking up at the golden ginkgo trees with a natural pose, enhancing the interaction in the scene. The photographer uses a low-angle shot with a central composition, placing the subject in the middle of the frame to highlight the main focus. The scene includes a red wall backdrop, a tree filled with lanterns and yellow leaves, and a bench, showcasing the atmosphere of the environment. Shooting time: It is recommended to choose a sunny day when the light is good, making it easier to produce quality photos.

Longfor Binjiang – gingko bench under install

Check-in Strategy: Composition: The model should stand at the tail or head of the snake, and the photographer should retreat to the back and shoot with a reflective board, getting the model and the snake's reflection together by placing the camera close to the ground. Pose: Hold an umbrella and look at the snake's head sideways. (The art gallery provides costumes and props, etc.). [Photography Time: March 20th; 13:00]. Photo Tips: You can take the same great shots with your phone too. Camera Settings: Fujifilm xt5 | Lens: 18-120 F4 Film Simulation: Classic Negative Dynamic Range: DR400 Highlights: -2 Shadows: -2 Color: +1 White Balance: White Priority R: -1 B: 1.

Yinpu Art Museum – House of Cards white-snake glass reflection

The model stands in front of a beer bottle, and the photographer takes the shot from 5 meters away from the model. The model can have larger movements, and the style leans towards American street culture. For clothing, they can choose sports and trendy styles, and use a wide-angle lens to make the photos more impactful.

Longfor Binjiang – beer-bottle sculpture

Pose guidance: The model stands naturally, holding the bag in hand. Photography tips: The composition can utilize the Ultraman circular device as the background, allowing the model and Ultraman to "look at each other," or change the angle to highlight the color of the device, making the picture more dynamic and interesting.

Longfor Binjiang – Ultraman install repeat

Central composition, with the giant portrait at the core of the image, becomes the visual focus. Relying on the environment to set off, the multi-layered structure of the shopping mall and the lighting lines create a sense of space, conveying the unique atmosphere where the art installation merges with the commercial space, showing a strong visual impact. Admission price: Free.

Longfor Binjiang – giant figure repeat

Use a wide-angle lens (such as 16-35mm) to get close to the model's feet and shoot from a low angle looking up, tilting the lens up by about 15°-30°—by utilizing the wide-angle distortion principle, stretch and elongate the model's legs in the foreground of the frame while keeping the head near the top of the image with a normal proportion, creating a top-small-bottom-large perspective contrast. When composing the shot, include the entire body of the subject in the frame and choose an open background (like the sky or architectural lines) to avoid clutter. The exaggerated perspective of the wide angle can give the model a "giant" feel in the picture, and the body posture can be coordinated with hands-on-hips or stretching movements to enhance the visual impact. 1. Travel Tips: ① Business Hours: 4.30-6.30, 10:00-22:00; ② It's recommended to go in the morning when there are fewer people and the lighting is good! There are too many people in the afternoon and evening. 2. Other Experiences: ① The 10-meter giant stands in the atrium! It's shockingly realistic whether viewed from a distance or up close! The hair and skin details are really well-handled; ② The 22-meter little giant has a ball on its back with the BKT logo! It also takes good photos! There's also a purple mechanical arm; ③ At the event site, there's a chance to get a big bag that's perfect for photos.

Longfor Hangzhou Binjiang Paradise Walk – BKT Giant Exhibit Photo Spot

Check-in Strategy: Composition: The model stands sideways to the Reflection Tower, approximately 5 meters away from the model, and uses a telephoto lens to capture the interaction between the model and the tower. Pose: Leaning slightly, rest the oil-paper umbrella on the shoulder, and look towards the direction of the tower's tip. (The art museum provides costumes and props, etc.) [Shooting Time: March 20th; 13:00] Photography Tips: You can also capture the same great shots with a smartphone. Camera Settings: Fuji xt5 | Lens: 18-120 F4 Film Simulation: Classic Negative Dynamic Range: DR400 Highlights: -2 Shadows: -2 Color: +1 White Balance: White Priority R: -1 B: 1.

Yinpu Art Museum – House-of-Cards Reflection in Front of Tower Photo Spot

The model stands in a central, slightly forward position as the photographer takes shots of the model from a distance of 5 to 6 meters, using a wide-angle lens to capture the reflections of the floor in the ceiling mirror. The model faces the photographer sideways, with the right hand raised to the forehead and gaze extending downward. The photographer captures the model in a full shot, with the overall environment being classical and bright, allowing for the wearing of formal attire to complement the setting.

Yinpu Art Museum – red painting reflection